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I have company in the evening, because the young Danish painter who’s here is very nice; his work is dry, correct and timid, but I’m not averse to that when the person is young and intelligent. At one time he’d begun to study medicine, he knows the works of ZolaDe Goncourt and Guy de Maupassant, and he has enough money to have an easy time of it. Besides that he has a very serious wish to do something different from what he’s doing at present. I think he’d do well to put off returning home for a year, or to come back after a short visit to his compatriots.
You were fortunate to meet Guy de Maupassant — I’ve just read his first book, Des vers, poems dedicated to his master, Flaubert. There’s one, ‘Au bord de l’eau’, that’s already him. So you see, what Vermeer of Delft is beside Rembrandt among painters, he is among French novelists beside Zola.
I prefer to wait for the generation to come, which will do in portraits what Claude Monet is doing in landscape, the rich, bold landscape in the style of Guy de Maupassant. Now I know that I myself am not one of those people, but didn’t the Flauberts and Balzacs make the Zolas and Maupassants? So here’s to — not us — but the generation to come.